Writing Your Novel: Avoiding Procrastination

procrastination

/prə(ʊ)ˌkrastɪˈneɪʃ(ə)n/

noun

noun: procrastination; plural noun: procrastinations

                                             the action of delaying or postponing something.

"your first tip is to avoid procrastination"

So none of you probably need the dictionary definition but by happy coincidence your first tip is to stop procrastinating. Today I wanted to tell you the story about how I used to be a procrastinator, until the Universe intervened and kicked my ass into submission. 

Procrastination doesn't just apply to the writing your novel part - it's about the whole process.

I wrote my first novel (that's Edelweiss; Dark Science, part one) by hand and mostly sitting in the
bathroom of my University dorm. It was the only place in the building you could smoke without the warden catching you and I didn't have a laptop back then. Just to give you some idea of the timescale I went to Uni back in 2008 and I didn't publish until 2016. That's not to say I was sitting on my hands the whole time, but it ought to give you an impression of how long it took me to build my confidence up enough to even send the damn thing away.

The thing is, you see, that I wrote it easily enough. I wrote it over and over again because I lost pages.The procrastination didn't kick in until it was written. What did I do with it next? In the end it lived in a drawer for a few years while I dealt with some weird life stuff. I forgot about it for a while, then I remembered and bought a new laptop to type it up on.

The new laptop was brilliant. I went through every piece of paper I had ever written and typed it onto digital format. Up until then I had always been a pen and paper writer. I'm going to go ahead and say that this was a major turning point for me. With a laptop over a desktop you can just punch notes in that you never lose - and I've lost a lot of work in my time.

Anyway, I had finished typing Edelweiss up and saved it on to disk, gone through my bucket of notes and got most of it done. I couldn't decide what to do next so I powered on and wrote Valerian as well. I worked my way through the third novel while I was there - all of this without actually doing anything with the novel. Then Windows 10 happened in 2015(?) and I used a temporary profile one night to work in. The next morning all my work was gone. Absolutely all of it. Every poem, every story, every note - and the manuscripts.

I tried everything. I reverted my settings, I had my techy cousin look at it, I called Windows... it didn't matter and I never got it back. At 30 years old and with all the work I had ever written destroyed I had two options: give up or start again. Now let's be clear about this, I felt like someone had died. I was absolutely gutted. Many of those notes that I typed I had thrown the originals for away and loads of it was just lost forever. To this day I still think about the loss of some of those pieces. Old scripts from University, shorts from when I was still learning the trade... stuff that was more valuable for the memories than the actual content.Argh. Give up and go home or start again. Judging by the fact you are reading this now you can probably imagine what I chose.

I started writing again, I rewrote the whole damn thing. This time I wrote the intro and sent it to a bunch of literary agents whose names I had looked up online. I didn't manage to secure one, although some really positive feedback came through from one agent who had read it, really liked it and couldn't get behind it because it was too dark. After it was completed, edited and formatted to the best of my ability (which, at the time, wasn't much. It's better now, I promise) and decided to self publish through Amazon.

During that time period I wrote like a demon. I decided to self publish after sending short stories out and having a few published by other people. I figured that if other people thought my work was good enough that they could make money from it - then why wasn't I? OK so it's not much money but the alternative was literally sitting in a drawer gathering dust for nearly ten years... so what did I have to lose?

Self-Publishing is Losing the Stigma

There are thousand other authors out there with the same story as me. Not only that, but publishing contracts are getting worse and worse. I have witnessed people advertise for ghostwriters for fifty dollars... I have seen 'contracts' for books valued at $500. I have seen people pay half a cent a word for literary genius and I can promise you - publishers are not all they are cracked up to be. The rates some of them want you to work for equate to pennies per hour.

Basically what I am saying is give it a go. Send your manuscript out to the big fish and see if they

bite, If you don't you'll never know. This whole business is a sea of rejection but the important thing to remember is that your work won't fit everywhere. It's not going to be right for some people no matter how good it is. So there isn't any point in letting the rejection get to you. Keep sending, keep submitting, keep writing. You will be successful as long as you don't give up. If the big fish don't want it then self publish and start working on the next one.

Procrastination is a terrible thing. Don't let it eat your work, don't let it put you down and certainly don't give in to it. The Indie Author industry is huge and growing, and there are some of us who believe it is the new way of writing. Jump in with both feet and move on to the next novel...take it from someone who learned the hard way.

Writing a Novel: Character Building (not in the fun way)

This week I want to talk a bit more about character because it seems like a natural next step from the planning blog I wrote last week. Planning can be broken down into all sorts of little stages to stop you losing the will to live before you have even set pen to paper; but for our purposes let's try and organise it a little....

...So you know you want to write a book. You either have a character you already love or you have a rough plot and no idea how to tell the story. This blog will be aimed at the latter group - the plot thinkers - but there might be some take-aways for us character types too.

Characters are Difficult

They're difficult because it is in their nature... because one way or another, a character is always in need of some new adventure to propel them along. Let's face it, nobody wants to read about Bilbo Baggins not going to find the rings and staying at home to have tea and second breakfast, instead. So the character and plot are inexorably linked. If your character isn't right (and trust me on this) you will end up with a totally different story from what you began with. They can have a mind all of their very own... but that's OK, they're supposed to.

Keeping it Real

OK, character pointer number one is to start with a personality. Don't think about names or descriptions just yet. Think about the type of person you would need to be in order to carry out the overarching plot. That's the personality you want. Everything else you add is just chocolate sprinkles.

So if you have a bus full of schoolkids that need saving the alcoholic bus driver might not pull it together in time; but the former firefighter on his way out of town might. There is another little trick that most stories use to build empathy with the main character: they are told that they are the only one who can save the bus full of kids/the earth/the Universe and they refuse the call. Either through self doubt or simply to make them more endearing to us. This is a natural part of 'the hero's journey' and I will go into more detail on that in a later blog.

At the moment let's consider that the character we are trying to develop - be it male, female, alien or talking horse - needs to be real. It doesn't matter if you have dropped them into a fantastical universe or if they themselves are supreme magical beings - they need to have thoughts, feelings, emotions and back-stories just like every other real person you ever met in your life. If they are not real (at least to you) then they aren't worth writing about... and that's the sad truth.

Increasing Levels of Realness

There are loads of little ways to make your characters more real. Just loads. How do you learn about them? Go and sit in a cafe somewhere busy, buy a coffee and watch. A train station is best, or an airport. People rushing tend to reveal all sorts of little personality traits about themselves. Just people watch and see what you notice. Some drag children behind them while others laugh and giggle with their kids. Some fumble and spill their shopping bags, are never organised or trip over themselves. Some have been sleeping on the train and rub their eyes, others hurry to smoke. At the end of your trip to the cafe you should have a whole page full of little personality traits that you can use for your own future reference.

One little tip on personality traits... consistency is important. Don't forget to include a trait because plot has picked up. Keep them going throughout and make them believable.

Another trick is to write a whole short story in itself all about your character. You might never include any of this information in the book but it helps you establish what their motivations are. For example, a character who had formerly lost a child might be reluctant to adopt a child or have a child thrust into their care, which could create friction in a story set around orphaned children. Knowing little facts about your character's background helps you to explain how they react to your plot points, and also helps you develop those reactions in the first place!

Once you have a well rounded, fully developed character on the page before you a name will come. Don't start with a name and shape a character... that's not how we name people in real life, is it?

One Last Thing...

... Not that I condone stealing but a pro author is basically a pro thief. That's not to say we go around ripping off one another's work (at least not deliberately, at least I hope not...) but rather that if there is an interesting personality quirk in your possession we will steal it. We will steal the fact that you constantly push your glasses up your nose and we might even steal the fact that you have had them re-shaped twice now but it's done no good. We will steal your history, your back story, your tales of woe and tales of joy. It's what we do, it's why we were once known as 'bards' and it's what you need to do to create successful, believable and real characters.

So go out there and pinch mannerisms, steal personality's and immortalise the many weird and wonderful quirks that human beings have. Copy your friend's thought patterns, or steal your partners ability to start a fight in an empty room - thieve it all and revel in it... because all of it will go towards creating the best character you ever wrote.

Just remember to change the names. People don't take kindly when you start killing them off...

Writing a Novel: Planning

Writing a novel is easy (said nobody. Ever.). You sit at the computer and you tear your hair out for about a year - but let's face it, anything up to a lifetime - until you have battered out your masterpiece. It sounds easy in theory and that's why every month, at least one person approaches me and starts a conversation with "I've been meaning to write this book..."

Consider instead that the real reason they haven't written it yet is because it's Goddamned difficult. And, to be honest, it's understandable that not everyone goes through with it. It's one of those dreams that sounds great in theory until it comes to doing the actual work... Anyway, as usual I am getting sidetracked.

I put together this little blog because when I first started novel writing/short story writing I had no idea what do with formatting, no idea how to edit and no idea what was expected of me... well all you lucky people have me so you won't be as lost.

Back to Basics: Novel Planning

OK So forget punctuation, grammar and sentence structure for now. Kill it in the fire. At the moment what we want to look at is overall structure - as if you are starting from complete scratch.

Character V's Plot

This is an ages old argument in the script writing business. What drives your story? Character or plot? The answer is that it doesn't actually matter that much except to you. By appreciating what kind of writer you are you can better learn to play to your own strengths. Personally I am one of those weirdos who writes short's based on plot and novels based on character. I feel that a solid plot can carry a short better than a full length piece and vice versa - but t doesn't need to be that way for you.

You might have an idea for a brilliant character whose skin you want to move inside and whose personality you want to steal. In this case you are a charact3er writer. Start with your imagined friend and envision them in different situations until such times as you hit across an idea that you love. Next develop a beginning, middle and an end of your story then start writing. As a character writer you must not change your characters to fit your plot - and you have to be wary of this as you work.

If you are a plot writer then break the story down into as many sections as possible. Start with a beginning, a middle and an end and break the story down into plot points that you want to reach at particular times. Once you have the story pinned down develop some nice rounded characters to fit in...Always make your characters super interesting and believable. If you are a plot writer then keep constant check on if your characters are real or not.

Spider Diagrams

Make no mistake: Spider Diagrams are the aspiring author's best friend. Write your first plot point in a bubble and surround it with other bubbles that might go alongside it. It works with character too and is a great development tool. You might write your characters name and pick a load of traits they have, then pick a few bad habits, a few good habits, cherished childhood memories - you get the idea.

What If..? 

This is one I learned at University. You start with a vague notion and then you keep asking yourself what if? even if it doesn't make sense. This is a great method for blitzing through ideas when you are stuck linking one plot point to another. For example....

"What if I wrote about a blue man living on Mars; what if that blue man had a space puppy named Dooobaloo? What if the dog bit him one day and, because it is a space puppy, now he is somehow pregnant? What if he shoots the puppy because he is so upset? What if that leaves him all alone in space and without anybody... doesn't that reflect the overarching premise of humanity?"

You follow?

Charting it out...

This is a great trick for when you have to make up a story in an afternoon with no prompting. It is also my favourite trick for building new plots for shorts. You take a sheet of A4 and you separate it into columns .Next, you give each column a title. I might use "Character", "Antagonist" (that's 'bad guy'), "Situation", "Revelation", "Outcome". Similarly if I need more details I will add more columns. Anyway, next go down each column and fill in up to ten different answers for each heading.

Ergo under "Character" I have 5 rows and they look like this:

1970's party girl
London Policeman
Chef de Partie
Suicidal Salesman
Drunkard Bar Owner

And then we move on to the next rows:

Character                                      Antagonist                           Situation

1970's party girl                          Angry clown                          High-end Restaurant
London Policeman                     embarrassing Uncle               summer school
Chef de Partie                             Big Ben                                 Earthquake
Suicidal Salesman                      that nice guy from work        Train Crash
Drunkard Bar Owner                  Santa Claus                            Stranded on a Desert Island

And now all you need to do is mix and match the rows... so we could have a suicidal salesman who is being hounded by Santa Claus while trying to sell the latest high trend kids toy to young children at Summer school... OK, they don't always make sense, but it's fun, fast and gets you out of a fix.

Format

Always format before you start writing. When it comes to short stories follow the Shunn format like everyone else does or your manuscript won't be read. When it comes to your book take a new page for every new chapter, file -> new page-> first page style for the first few pages you don't want to be numbered and pick what size you want your book to be to set the page size. 6" x 9" is normal nowadays.

And that's about all from me today, back to the daily grind of article writing. I hope I have managed to help at least one of you on your story telling journey. Good luck out there, it's tough... but it's totally worth it when you can look someone in the eye and say "Me? I'm a writer."...

Writing Edelweiss; Dark Science, part one.

So the time has come for the obligatory "this is how I wrote my first book" blog post. I apologise in advance to those who show up for the funny stuff, I'll try to make sure it isn't a dry read.

The Final Cover Image, courtesy of Craig Anderson Photography

Edelweiss started as a character: Dr Abigail Jones (who was never a real Doctor, just a healer in disguise). This was a character I developed to play in a Live Action Role Play and was probably the first character that I went to bed and dreamed about. She was very real to me. To this day I have other Larpers to thank for some of the characters... Rufus Frank, who you meet in Valerian, Captain Charles Echan, Mister Talphibious and Asa Lupine were all based on real people; Talphibious and Frank only loosely.

The setting is completely different to the LARP world I played, albeit with similarities. The original Abigail Jones was a member of the Temple of Shadows (ironically the good guys) so her path was never going to be easy. The story developed with her as a starting point but, as she was only a girl, I needed a caretaker who was loyal and who could remind her of where she came from when her ideas got too big for her boots. Stephen Lawrence was born as Paul Thomas Damas, a name I changed in later drafts for reasons that won't become clear until you read the second and third books.

My main protagonist was always going to be a dual threat of Catherine and the mystery murderer we meet in the prologue.What I didn't expect was for those two characters to take on their own stories throughout the series. It has been just as interesting for me to find out what they have been up to as it is for the reader. The trouble with writing character-driven stories is that sometimes they change the plot for themselves because of their attitudes and abilities. Abigail is particularly hard to write because she is always off doing her own thing. She needs a big group around her so that she can be constantly reigned back in. Usually for her own good. If she didn't have Stephen she would have marched straight from Beeton to Estora and got herself killed in chapter 2. So.

An alternative image, courtesy of Craig Anderson Photography

People often ask how I go about the process of writing and it is very simple. I sit down at a blank screen and I tell the stories that I would like to read. There isn't enough dark, nearly-horror-but-not-quite fantasy out there. When I have come across it (mentioning no names) I have found it a little flowery and hard to read in places. I think my style is very simple but I believe that simple can be more shocking at times. I guess all writing is subjective and it just comes down to what you like.

As for planning well, I started with the prologue as a back story for Abigail and just couldn't stop telling the story. I had to get her out of there so I did. Then I had to get her to Ronton Bay, so I did. After that things just kind of took care of themselves. I knew at some point Asa would come into play and that later she would get to the root of the problem - but in terms of planning that was about it. What I will say is that I worked on Edelweiss; Dark Science, part one for eight years before I put it into a real format and edited out the parts I didn't like. In the future I will post about some of these, though it will contain spoilers, so not yet...

There's no better feeling than holding the hard copy!

So during that eight years I hand wrote it, re-wrote it, typed it up, lost it to a computer error, typed it up again and then decided to commit myself and publish. Stories constantly evolve and change and even now, two and a half books later, I still have a hazy memory of what went into the final cut and what I left out. I spend a huge amount of editing time checking back on old details to make sure I have people's eye colour just right, or their back stories on point... I did keep a compendium of all the details but it changed so much between drafts it became useless.



Writing a book is time consuming, it is hard, it is confusing and it takes a lot of imagination. Then when you do produce work you imagine it isn't good enough to be read by anyone and that you should probably take it down. Nevertheless we persist, because stories need to be told and that's just how it is.

And now I have Edelweiss. Go check it out. At the very least it will give you a glimpse into my world.

Editing because I realised I didn't put a link to the book in so here we are: you can buy a copy of Edelweiss; Dark Science, part one (in either paperback or E-book) by following this link.

So you want to be a writer?

Let's cover something not-so-horror-focused as last time. Let's talk about what it is actually like to work in the industry. I want to troubleshoot a few common misconceptions about what it is I do all day... but let's start from the very beginning.

The very first thing you need to know is that Writer's pay Sucks (<--- notice the capital 'S').

If you happen to be J K Rowling or Stephen King you might be able to pick and choose your rates - but the rest of us seriously struggle to get the rent paid just like everyone else.

Consider this: one single book takes maybe 200 hours to write... and then we place it on Amazon for £5.99 and hope that those who feel sorry for us will buy it. Times that by five or six and take away all of your free time and you are starting to get an idea of what it takes to do this job. And I do mean All of your free time.

Making it (erm...one day)

You need to keep the day job; something menial that lets you dream up new characters based on angry customers or the robot-people who answer the phone to you on a daily basis. When you come home from your day job you have a 3K minimum word limit to break even at the end of the month - but that's only if you are lucky enough to have an editor or be part of a writing team. You can always freelance for clients but it's hard work and it seriously eats into your writing time.

If you want to write your novel you need to do it at the end of the day or in the morning, on top of all that other work, running a household and anything else you do with your life. FYI writer's don't have many hobbies... we can only really afford one at a time.

Editing in a motorhome, on holiday

If this is the life path you choose then be prepared to forego that social life. You will rarely go out - and when you do you are desperate to get home to see what your characters get up to next; or to finish that article about 'best hotel locations in Dubai' (which you couldn't care less about really but which helps buy the electric). Eventually your friends will forget you. They'll stop inviting you out because they know the only way to see you is to drop by your house.

Let's be honest about this: being a writer pays terribly, takes up all of your time, increases loneliness and isolation and basically has you living inside your head the whole time. Then someone tells you that you need an 'online presence' and you just about explode...

Still want to be a Writer?

So, with all that in mind, if you still want to do it or if, like most of us, you just can't stop, then you should probably hit the subscribe button. I get approached about once a fortnight and asked for help and advice on how to become a writer - which I have no problem giving. But when someone takes up your vital writing time because they are more curious than serious it gets a little annoying after a while. Have pity and don't waste your pet writer's time, they have a crapload of work to get through.

If you want to be serious then keep an eye out. In the future I'll be talking about how you go about building that ridiculous online presence mentioned above, how to find work, how to self publish your own stuff and why certain types of 'exposure' are a con. I hope to help you navigate the pitfalls a little, help you stay motivated and maybe give you a glimpse into an industry that is fast becoming bigger than I can keep up with.

I'll also be doing horror stories because, you know... it's me.

This is how Kai tells me to stop for the night